{"id":377,"date":"2022-05-28T22:04:12","date_gmt":"2022-05-28T20:04:12","guid":{"rendered":"https:\/\/antoniotonelli.info\/?page_id=377"},"modified":"2023-07-18T09:15:44","modified_gmt":"2023-07-18T07:15:44","slug":"bibliografia","status":"publish","type":"page","link":"https:\/\/antoniotonelli.info\/index.php\/bibliografia\/","title":{"rendered":"Bibliografia"},"content":{"rendered":"<div class=\"wp-block-wptb-table-block\"><div class=\"wptb-container-legacy\" data-table-id=\"376\">\n    <table class=\"wptb-preview-table wptb-element-main-table_setting-376\" style=\"border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-wptb-adaptive-table=\"0\" data-wptb-cells-width-auto-count=\"1\" data-wptb-table-tds-sum-max-width=\"161\" data-table-columns=\"2\" data-reconstraction=\"0\" data-wptb-extra-styles=\"LyogRW50ZXIgeW91ciBjdXN0b20gQ1NTIHJ1bGVzIGhlcmUgKi8=\" role=\"table\" data-wptb-header-background-color=\"#EFE1CEFF\" data-wptb-even-row-background-color=\"#EFE1CEFF\" data-wptb-odd-row-background-color=\"#EFE1CEFF\" data-wptb-horizontal-scroll-status=\"false\"><tbody><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206);\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"0\" colspan=\"1\" rowspan=\"3\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-738\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2023<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"0\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-746\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Dex voix enrob\u00e9es de silence<\/em>. <strong>Amedeo Anelli<\/strong>. Editions du Cygne. (Motet VII \u00e0 Antonio Tonelli).<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"1\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-744\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Catalogo dell&#8217;Arte moderna. Gli artisti italiani dal primo novecento ad oggi, n. 59<\/em>, Editoriale Giorgio Mondadori, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"2\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-741\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p class=\"\"><em>Louve Arte<\/em>. Libro raccolta d&#8217;arte a tema a cura di <strong>Giorgio Falossi<\/strong> e Lorenzo Cipriani. Edizione Il Quadrato.<br><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"3\" colspan=\"1\" rowspan=\"5\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-748\"><div><p><\/p><\/div><\/div><div class=\"wptb-text-container wptb-ph-element wptb-element-text-686\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2022<\/strong><\/p><p><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"3\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-739\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>12 Artisti per Luca Crippa,<\/em> caralogo della mostra, a cura di <strong>Pierluigi Cocchi<\/strong>. Galleria Civica Ezio Mariani, Seregno.<em><br><\/em><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"4\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-737\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>NATURArt<\/em>. <em>L&#8217;arte la imita, poi la difende, infine la supera<\/em>. Libro raccolta d&#8217;arte a tema a cura di <strong>Giorgio Falossi<\/strong> e Lorenzo Cipriani. Edizione Il Quadrato.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"5\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-735\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Catalogo dell&#8217;Arte moderna. Gli artisti italiani dal primo novecento ad oggi, n. 58<\/em>, Editoriale Giorgio Mondadori, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"6\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-687\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giuseppe Possa.<\/strong> Intervista, <em>Antonio Tonelli: una pittura come sostanza di vita<\/em>. La scintilla, blog di cultura, critica, arte, recensioni.<br><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"7\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-713\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Artisti italiani, catalogo d&#8217;arte moderna 2022<\/em>, a cura di Arianna Sartori, Archivio Sartori Editore, Mantova.<br><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"8\" data-wptb-cell-vertical-alignment=\"center\" colspan=\"1\" rowspan=\"5\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-692\" style=\"color: rgb(74, 85, 104); font-size: 15px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2021<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"8\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-693\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Catalogo dell&#8217;Arte moderna. Gli artisti italiani dal primo novecento ad oggi, n. 57<\/em>, Editoriale Giorgio Mondadori, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"9\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-697\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"mce-edit-focus\" style=\"position: relative;\"><p><em>Animalia<\/em>, catalogo della mostra, BPL Arte, Lodi. A cura di Renato Galbusera, Francesca Vitali Boldini, Mario Quadraroli, Mario Diegoli.<br><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"10\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-715\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Autoritratti e Ritratti di personaggi illustri<\/em>, catalogo della mostra a cura di Arianna Sartori, presentazione di Maria Gabriella Savoia. Archivio Sartori Editore.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"11\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-729\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Venti e Venti. uomo\/ambiente\/spazio. Artisti della Permanente<\/em>, catalogo della mostra. Museo della Permanente.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"12\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-731\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>COVId&#8217;Arte. Tempo di virus voglia di arte<\/em>. Libro raccolta d&#8217;arte a tema a cura di <strong>Giorgio Faloss<\/strong>i e Lorenzo Cipriani. Edizione Il Quadrato.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"13\" data-wptb-cell-vertical-alignment=\"center\" colspan=\"1\" rowspan=\"3\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-688\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2020<\/strong><\/p><p><\/p><\/div><\/div><div class=\"wptb-text-container wptb-ph-element wptb-element-text-700\" style=\"color: rgb(74, 85, 104); font-size: 15px;\"><div class=\"\" style=\"position: relative;\"><p><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"13\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-689\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Catalogo dell&#8217;Arte moderna. Gli artisti italiani dal primo novecento ad oggi, n. 56<\/em>, Editoriale Giorgio Mondadori, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"14\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-701\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Rassegna Internazionale &#8220;L&#8217;arte e la bellezza salveranno il mondo&#8221;<\/em>, Galleria d&#8217;arte &#8220;Il Centro Storico&#8221; Firenze. Accademia Il Mazzocco, periodico di Arte-Cultura-Scienza.<br><\/p><p><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"15\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-727\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>#lockArt. L&#8217;arte al tempo del covid<\/em>, catalogo online a cura di Grazia Varisco, Barbara Pietrasanta e Pino Di Gennaro. Museo della Permanente.<br><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"16\" data-wptb-cell-vertical-alignment=\"center\" colspan=\"1\" rowspan=\"4\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-690\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2019<\/strong><\/p><p><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"16\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-691\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Catalogo dell&#8217;Arte moderna. Gli artisti italiani dal primo novecento ad oggi, n. 55<\/em>, Editoriale Giorgio Mondadori, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"17\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-705\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Catalogo Sartori d&#8217;arte moderna e contamporanea 2019,<\/em> a cura di Arianna Sartori, Archivio Sartori Editore, Mantova.<br><\/p><p><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"18\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-723\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\"><p><em>Io e Leonardo. Artisti della Permanente e l&#8217;eredit\u00e0 di Leonardo<\/em>, catalogo della mostra. Museo della Permanente.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"19\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-725\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Io e Leonardo. Artisti della Permanente e l&#8217;eredit\u00e0 di Leonardo<\/em>, catalogo della mostra. Regione Lombardia.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"20\" data-wptb-cell-vertical-alignment=\"center\" colspan=\"1\" rowspan=\"3\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-702\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2018<\/strong><\/p><p><\/p><\/div><\/div><div class=\"wptb-text-container wptb-ph-element wptb-element-text-706\"><div class=\"\" style=\"position: relative;\"><p><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"20\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-703\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>L\u2019Arte tra paesaggi e periferie<\/em>, catalogo della mostra, Casa Museo Sartori, Mantova.<br><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"21\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-707\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Catalogo Sartori d&#8217;arte moderna e contamporanea 2018<\/em>, a cura di Arianna Sartori, Archivio Sartori Editore, Mantova.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"22\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-721\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>#urbanart. Colore\/material\/luca<\/em>, catalogo della mostra. Museo della Permanente.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"23\" data-wptb-cell-vertical-alignment=\"center\" colspan=\"1\" rowspan=\"2\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-716\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2017<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"23\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-717\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Dichiarazioni di pace. Pittori e Poeti Contro Guerre e Violenza<\/em>, catalogo della mostra.<br><\/p><p><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"24\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-719\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Dialogo d&#8217;artista. Glia artisti contemporanei della Permanente e le opere storiche della collegione<\/em>, catalogo della mostra. Museo della Permanente.<br><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"25\" colspan=\"1\" rowspan=\"4\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-1\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2015<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"25\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-2\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, <em>Antonio Tonelli. Le cose e lo spirito<\/em>, catalogo della mostra, Museo Diocesano Fancesco Gonzaga, Mantova.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"26\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-3\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Artisti e Resistenze, opere per il settantesimo della Liberazione<\/em>, catalogo della mostra con testi di Giorgio Seveso, Francesca Pensa, Mario De Micheli, Raffaele De Grada, Andrea B. Del Guercio, Maurizio Guerri, Giuditta Margnelli. Introduzione di Giuliano Pisapia (Sindaco di Milano) e Roberto Cenati (Presidente ANPI Provinciale di Milano). Ed. ANPI, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"27\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-709\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Catalogo Sartori d&#8217;arte moderna e contamporanea 2015<\/em>, a cura di Arianna Sartori, Archivio Sartori Editore, Mantova.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"28\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-733\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>L&#8217;arte italiana dalla terra alla tavola<\/em>, catalogo della mostra a cura di Arianna Sartori, Archivio Sartori Editore, Mantova.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"29\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-710\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2014<\/strong><\/p><p><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"29\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-711\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Catalogo Sartori d&#8217;arte moderna e contamporanea 2014<\/em>, a cura di Arianna Sartori, Archivio Sartori Editore, Mantova.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"30\" colspan=\"1\" rowspan=\"3\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-4\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2011<\/strong><\/p><\/div><\/div><div class=\"wptb-text-container wptb-ph-element wptb-element-text-363\" style=\"color: rgb(74, 85, 104); font-size: 15px;\"><div class=\"\" style=\"position: relative;\"><p><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"30\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-5\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Lia Lenti<\/strong>, <em>Passione civile, arte e politica. Artisti a Valenza tra gli anni Cinquanta e Ottanta<\/em>, catalogo della mostra con testi di Lia Lenti, Fiorella Mattio, Barbara Poggio, Silvia Campese, Toni Nicolini, Giorgio Seveso, Matilde Pisani Lenti, Delmo Maestri, Palazzo Monferrato, Alessandria, Edizioni Mazzotta, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"31\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-6\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Passione civile, arte e politica. Artisti a Valenza tra gli anni Cinquanta e Ottanta<\/em>, in &#8220;Archivio di Mantova&#8221;, Mantova.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"32\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-364\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"mce-edit-focus\" style=\"position: relative;\"><p><em>54a Esposizione Internazionale d&#8217;Arte della Biennale di Venezia, lo stato dell&#8217;Arte<\/em>, catalogo della mostra a cura di Vittorio Sgarbi.<br><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"33\" colspan=\"1\" rowspan=\"19\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-7\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2010<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"33\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-8\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giuseppina De Maria<\/strong>, <em>Poetarte<\/em>, Varese.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"34\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-9\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giulio Pessina<\/strong>, <em>I cieli di Antonio Tonelli<\/em>, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"35\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-10\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Luca Pietro Nicoletti<\/strong>, <em>I Biennale d&#8217;arte sportiva del Ghisallo e della Vallassina<\/em>, catalogo della mostra, Museo del Ciclismo, Magreglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"36\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-11\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Francesca Porreca<\/strong>, <em>Antonio Tonelli. Interno 1 &#8211; 1991-92<\/em>, in &#8220;Museo in Rivista&#8221;, n. 4, Pavia.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"37\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-12\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Lara Treppiede<\/strong>, <em>Da Armanti brillano le stelle di Tonelli<\/em>, in &#8220;Arte Varese&#8221;, Varese, 29 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"38\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-13\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>In mostra i cieli di Antonio Tonelli<\/em>, in &#8220;Il Giorno&#8221;, Varese, 4 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"39\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-14\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, <em>L&#8217;etica dei cieli di Tonelli<\/em>, in &#8220;Avvenire&#8221;, Milano, 8 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"40\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-15\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>I cieli di Tonelli alla Galleria Armanti<\/em>, in &#8220;Il Giorno&#8221;, Varese, 18 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"41\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-16\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Immagini e luoghi. Tonelli<\/em>, in &#8220;Artecultura&#8221;, Milano, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"42\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-17\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>I cieli di Antonio Tonelli<\/em>, in &#8220;Archivio di Mantova&#8221;, Mantova, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"43\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-18\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"mce-edit-focus\" style=\"position: relative;\"><p><em>I cieli di Antonio Tonelli<\/em>, in &#8220;Varesefocus&#8221;, Varese, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"44\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-19\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, I cieli di Antonio Tonelli, presentazione della mostra personale, Galleria Armanti, Varese, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"45\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-20\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, I colori del bene. Omaggio alla scienza medica. 23 artisti per una collezione, catalogo della mostra con contributi di Claudio Barbonetti, Giovanni Billari, Gianfranco Zandonini, Galleria Ciovasso, Milano, maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"46\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-21\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, L&#8217;arte medica che parla all?uomo, in &#8220;Avvenire&#8221;, Milano, 13 maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"47\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-22\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario Borgese<\/strong>, <strong>Alfredo Mazzotta<\/strong>, <strong>Barbara Pietrasanta<\/strong>, <em>Duemiladieci. Artisti della Permanente<\/em>, catalogo della mostra, Milano, luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"48\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-23\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario Borgese<\/strong>, <em>Antonio Tonelli. Appunti<\/em>, Milano, dicembre. <br><\/p><p><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"49\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-24\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Eliana Ciappina<\/strong>, <em>la cultura il miglior antidodo al declino del Sud<\/em>, in &#8220;L&#8217;Ottimista&#8221;, Roma, 1 dicembre, riproduzione del quadro La valigia di cartone, 1976.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"50\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-25\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Uccellini<\/strong>, <em>ll filo dell&#8217;amicizia. Proposta poetica di segno e parola<\/em>, Milano, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"51\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-26\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mariarosa Tavazzani<\/strong>, <em>XX Courmayeur noir in festival<\/em>, catalogo della mostra, Studio Coop, Roma, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"52\" colspan=\"1\" rowspan=\"16\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-27\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2009<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"52\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-28\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Ma.B.<\/strong>, <em>15 + 15 al Centro Artistico. Mostre all&#8217;atelier di Bruno Polver<\/em>, in &#8220;Corriere di Novara&#8221;, Novara, 24 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"53\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-29\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Pietro Benacchio<\/strong>, <em>Proposte 15 + 15 allo Studio Polver<\/em>, in &#8220;La Stampa&#8221;, Novara, 28 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"54\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-30\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giovanni Cristiani<\/strong>, <em>La Via Crucis anche dopo la mostra<\/em>, in &#8220;La Provincia&#8221;, Erba, 10 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"55\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-31\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, <em>La personale va in mostra a scuola: Giovanni Blandino e Antonio Tonelli. Viaggio tra i colori<\/em>, in &#8220;Avvenire&#8221;, Milano, 12 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"56\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-32\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Fabio Carnaghi<\/strong>, <em>Nel segno della Croce<\/em>, catalogo della mostra, Assessorato alla Cultura, Castano Primo, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"57\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-33\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Fabio Carnaghi<\/strong>, <em>Nel segno della Croce. 24 artisti a Villa Rusconi<\/em>, in &#8220;Citt\u00e0 Oggi&#8221;, Castano Primo, 16 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"58\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-34\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Raffaele De Grada<\/strong>, <em>Il punto, presentazione della mostra<\/em>, Galleria Ciovasso, Milano, maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"59\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-35\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, <em>Il punto. Viaggio tra i colori<\/em>, in &#8220;Avvenire&#8221;, Milano, 7 maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"60\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-36\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>,<em>100 artisti per 100 canti<\/em> &#8211; <em>Paradiso<\/em>, catalogo della mostra, Ed. Raccolto, Cascina del Guado, Robecchetto, luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"61\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-37\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco Anelli<\/strong>, <em>Semina Verbi &#8211; VI edizione. Mostra d&#8217;arte sacra<\/em>, catalogo della mostra a cura di Amedeo Anelli, Casalpusterlengo, agosto.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"62\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-38\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Valeria Casarotti<\/strong>, <strong>Teresa Garofalo<\/strong>, <em>Dalle realt\u00e0 della metropoli all&#8217;arcano dello spazio<\/em>, in &#8220;Giornale di Zona 9 &#8211; Niguarda&#8221;, Milano, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"63\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-39\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, <em>Giovanni Blandino e Antonio Tonelli al Museo del Ciclismo di Magreglio<\/em>, in &#8220;Avvenire&#8221;, Milano, 1 ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"64\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-40\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Consuelo Hernandez<\/strong>, <em>Itinerari d&#8217;arte. Segni, forme, colori<\/em>, catalogo della mostra, Comune di Cavenago Brianza, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"65\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-41\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Antonio Tonelli e Giovanni Blandino al Museo del Ciclismo<\/em>, Madonna del Ghisallo, in &#8220;Archivio delle Arti&#8221;, Mantova, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"66\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-42\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Marco Soldati<\/strong>, <em>Tracce di colore,<\/em> agenda annuale con cinque riproduzioni di opere di Antonio Tonelli, Studio Marco Soldati, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"67\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-43\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>I cieli di Antonio Tonelli<\/em>, presentazione della mostra personale, Galleria Armanti, Varese, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"68\" colspan=\"1\" rowspan=\"10\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-44\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2008<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"68\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-45\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Francesca Magro<\/strong>, <em>Alfredo Mazzotta, Guido Oldani, Cristiano Plicato, Giorgio Seveso, Alberto Veca, Giovanni Blandino e Antonio Tonelli. La scelta dell&#8217;immagine<\/em>, catalogo della mostra, Palazzo della Permanente, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"69\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-46\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>G<strong>iulio Crisanti<\/strong>, <strong>Alberto Veca<\/strong>, <em>Convergenze<\/em>, catalogo della mostra, Biblioteca Comunale Cassina Anna, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"70\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-47\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Bruno Polver<\/strong>, <em>Insieme per l&#8217;arte<\/em>, catalogo della mostra, Famiglia Artistica Milanese e Associazione Culturale Archivi del Novecemnto, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"71\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-48\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Magda Bettini<\/strong>, <strong>Elena Lissoni<\/strong>, <em>La Donazione Ada e Mario De Micheli alla Biblioteca Comunale di Trezzo sull&#8217;Adda<\/em>, Trezzo sull?Adda, maggio.<br><\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"72\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-49\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, <em>L&#8217;ars poetica di Tonelli e Blandino. Viaggio tra i colori<\/em>, in &#8220;Avvenire&#8221;, Milano, 15 maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"73\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-50\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Blandino e Tonelli: La scelta dell&#8217;immagine<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"74\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-51\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Valeria Casarotti<\/strong>, <strong>Teresa Garofalo<\/strong>, <em>L&#8217;arte parallela di Giovanni Blandino e Antonio Tonelli<\/em>, in &#8220;Giornale di Zona 9 &#8211; Niguarda&#8221;, Milano, giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"75\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-52\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Antonio Villani<\/strong>, <em>Viandanti in attesa, con sette opere di Antonio Tonelli<\/em>, Signum Edizioni d&#8217;Arte, Bollate.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"76\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-53\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Amedeo Anelli<\/strong>, <em>Semina Verbi. Percorso espositivo<\/em>, Casalpusterlengo, agosto-settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"77\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-54\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Valeria Casarotti<\/strong>, <strong>Teresa Garofalo<\/strong>, <em>Art action. Caff\u00e8 espresso: il piacere del caff\u00e8 dipinto<\/em>, in &#8220;Giornale di Zona 9 &#8211; Niguarda&#8221;, Milano, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"78\" colspan=\"1\" rowspan=\"10\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-55\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2007<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"78\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-56\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Acqua per acqua. Dipinti a tema per poesia<\/em>, presentazione, Circolo Culturale Bertolt Brecht, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"79\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-57\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Federico Masedu<\/strong>, <em>A Varese i cicli pittorici di Tonell<\/em>i, in &#8220;LA6 &#8211; Arte&#8221;, Varese, 4 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"80\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-58\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Antonio Tonelli<\/em>, in &#8220;Corriere della Sera&#8221;, Milano, 27 febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"81\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-59\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Guido Oldani<\/strong>, <em>Antonio Tonelli. Opere dal 1980 al 2006<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"82\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-60\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Lorenzo Meyer<\/strong>, <em>Zonino d&#8217;oro<\/em>, in &#8220;Giornale di Zona 9 &#8211; Niguarda&#8221;, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"83\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-61\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, <em>Il simbolismo nelle tele di Tonelli<\/em>, in &#8220;Avvenire&#8221;, Milano, 8 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"84\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-62\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>C. Arg. (Chiara Argenteri)<\/strong>, <em>Tonelli, un talento narrato attraverso 35 tracce di vita urbana<\/em>, in &#8220;La Provincia Pavese&#8221;, Pavia, 21 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"85\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-63\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Aoristas<\/strong>, <em>Immagini e luoghi. Tonelli a Santa Maria Gualtieri<\/em>, in &#8220;Artecultura&#8221;, Milano, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"86\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-64\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, <em>Sensibilit\u00e0 contemporanee. Viaggio tra i colori<\/em>, in &#8220;Avvenire&#8221;, Milano, 14 giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"87\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-65\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>Il mondo di Ron\u00e8<\/em>, illustrazioni di copertina e tre disegni di Antonio Tonelli, Ed. Nicolini, Gavirate.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"88\" colspan=\"1\" rowspan=\"11\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-66\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2006<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"88\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-67\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Oscar Marzo Vetrugno<\/strong>, <strong>Corrado Lorenzo<\/strong>, <em>Rassegna nazionale di arte contemporanea<\/em>, catalogo della amostra, Novoli Arte, Novoli, gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"89\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-68\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Vinny Scorsone<\/strong>, <em>Il fascino di un&#8217;etichetta. 30 artisti incontrano Bacco<\/em>, catalogo della mostra, Hostaria Cycas, Castelbuono, febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"90\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-69\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Monica Maggiore<\/strong>, <em>L&#8217;arte cambia la vita<\/em>, in &#8220;Quisalento&#8221;, Lecce, febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"91\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-70\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Luigi Crivelli<\/strong>, <strong>Giovan Battista Gandolfo<\/strong>, <strong>Fiorella Capriani<\/strong>, <strong>Giansisto Gasparini<\/strong>, <strong>Franco De Faveri<\/strong>, <em>1946-2006. Sessant&#8217;anni d&#8217;arte a Milano con l&#8217;UCAI<\/em>, Sezione di Milano, catalogo della mostra, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"92\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-71\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Felice Bonalumi<\/strong>, <em>Artisti cattolici in mostra. Una collettiva per i 60 anni dell&#8217;UCAI<\/em>, in &#8220;Avvenire&#8221;, Milano, 12 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"93\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-72\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Etichette d&#8217;autore<\/em>, in &#8220;Giornale della Sicilia&#8221;, Palermo, 30 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"94\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-73\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Maria Rosaria Di Virgilio<\/strong>, <em>Al caro Giorgio Gaber, catalogo della mostra<\/em>, Libreria Bocca, Milano, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"95\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-74\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Valeria Casarotti<\/strong>, <strong>Teresa Garofalo<\/strong>, <em>Nelle tele del pittore niguardese Antonio Tonelli, la realt\u00e0 quotidiana filtrata attraverso il genio di Van Gogh<\/em>, in &#8220;Giornale di Zona 9 &#8211; Niguarda&#8221;, Milano, maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"96\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-75\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Guido Oldani<\/strong>, <em>Il testimone, in I cicli pittorici di Antonio Tonelli<\/em>, monografia, Milano, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"97\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-76\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Susanna Zatti<\/strong>, <em>Venticinque anni dopo&#8230;, in I cicli pittorici di Antonio Tonelli<\/em>, monografia, Milano, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"98\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-77\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giuseppe Melzi<\/strong>, <strong>Luigi Sansone<\/strong>, <strong>Giulio Crisanti<\/strong>, <strong>Armando Marrocco<\/strong>, <strong>Sara Montani<\/strong>, <em>Ventipiucento. Gli anni della Permanente<\/em>, catalogo della mostra, Museo della Permanente, Ed. Andromeda, Milano, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"99\" colspan=\"1\" rowspan=\"9\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-78\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2005<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"99\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-79\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Susanna Zatti<\/strong>, <em>Per Rossana Bossaglia<\/em>. <em>Ritratti<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"100\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-80\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Aldo Gerbino<\/strong>, <em>Di sguardi, luoghi. Di ombre. Nel verso, nella pittura<\/em>, catalogo della mostra, Galleria Ellearte, Palermo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"101\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-81\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Adalberto Sartori<\/strong>, <strong>Maria Gabriella Savoia<\/strong>, <strong>Maurizio Scudiero<\/strong>, <em>La vite, l&#8217;uva, il vino nell&#8217;arte contemporanea<\/em>, catalogo della mostra, Ed. Arianna Sartori, Mantova.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"102\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-82\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Luigi Crivelli<\/strong>, <em>Nell&#8217;ora di Barabba<\/em>, UCAI, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"103\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-83\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Silvana Borutti<\/strong>, <strong>Susanna Zatti<\/strong>, <em>Per Rossana Bossaglia<\/em>, catalogo della mostra, Ed. Cardano, Pavia.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"104\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-84\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Lee Jang-Woo<\/strong>, <em>Daegu<\/em> &#8211; Milano, Fine Arts Exibhition 2005, Daegu (Corea), agosto.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"105\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-85\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Pice<\/strong>, <strong>Lucia Anelli<\/strong>, <strong>Franco De Faveri<\/strong>, <em>Omaggio a Speranza<\/em>, con testi critici di Lucia Anelli, catalogo della mostra, Bitonto, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"106\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-86\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Pietro Marino<\/strong>, <em>Speranza unisce Milano a Bitonto<\/em>, in &#8220;La Gazzetta del Mezzogiorno&#8221;, Bitonto, 13 settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"107\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-87\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Compagni di strada. Gli artisti e le lapidi della Resistenza a Milano<\/em>, catalogo della mostra, Milano, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"108\" colspan=\"1\" rowspan=\"7\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-88\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2004<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"108\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-89\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Il luogo del racconto, catalogo della mostra<\/em>, MIM &#8211; Museum in Motion, Fondazione D&#8217;Ars, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"109\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-90\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Antonio Mazzi<\/strong>, <em>In memoria di un grande amico, in Tremend&#8217;Art<\/em>, Edizioni New Editing, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"110\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-91\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Francesco Marcello Scorsone<\/strong>, <em>Un&#8217;etichetta per solidariet\u00e0<\/em>, catalogo della mostra, Studio 71, Palermo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"111\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-92\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Luigi Crivelli<\/strong>, <strong>Franco De Faveri<\/strong>, <em>Arte in San Satiro<\/em>, catalogo della mostra, UCAI, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"112\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-93\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Aldo Gerbino<\/strong>, <em>Tra cielo e terra, forme e modelli per un&#8217;arte santa<\/em>, catalogo con testi di Aldo Gerbino, Alessandra Infranca, Marisa Buscemi, Trapani.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"113\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-94\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>A proposito di pittura. Testimonianze<\/em>, con nota introduttiva di Guido Oldani e testimonianze di Mario Bogani, Gioxe De Micheli, Giansisto Gasparini, Luigi Timoncini, Antonio Tonelli, Vincenzino Vanetti, Alberto Venditti, Marco Viggi, Ed. Nicolini, Varese.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"114\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-95\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Alberto Ghinzani<\/strong>, <strong>Alfredo Mazzotta<\/strong>, <strong>Ada Marchetti<\/strong>, <strong>Alvaro Occhipinti<\/strong>, <em>Salone Milano 2004<\/em>, catalogo della mostra, Museo della Permanente, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"115\" colspan=\"1\" rowspan=\"21\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-96\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2003<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"115\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-97\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gianfranco Bruno<\/strong>, <strong>Adalberto Sartori<\/strong>, <strong>Maria Gabriella Savoia<\/strong>, <em>Autoritratto con modella<\/em>, catalogo della mostra, Ed. Arianna Sartori, Mantova.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"116\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-98\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gilberto Cavicchioli<\/strong>, <em>I simboli di Van Gogh<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"117\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-99\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco De Faveri<\/strong>, <em>Immagini di una citt\u00e0<\/em>, catalogo UCAI, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"118\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-100\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <strong>Giuseppe Genazzini<\/strong>, <strong>Giovanni Billari<\/strong>, <em>Ciclosofie<\/em>, catalogo della mostra, Galleria Ciovasso, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"119\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-101\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <em>11 pittori dal realismo al surrealismo<\/em>, catalogo della mostra, Galleria Civica Ezio Mariani, Seregno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"120\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-102\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Tino Gipponi<\/strong>, <em>65 artisti in ricordo di Carlo Linati<\/em>, catalogo della mostra, Galleria Bellinzona, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"121\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-103\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Brunetta Ferrarini<\/strong>, <em>Antonio Tonelli alla Galleria Arianna Sartori<\/em>, in &#8220;La Cittadella&#8221;, Mantova, 5 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"122\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-104\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>P.C. (Paola Cortese)<\/strong>, <em>Tonelli. Simboli di Van Gogh<\/em>, in &#8220;Gazzetta di Mantova&#8221;, Mantova, 8 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"123\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-105\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>I simboli di Van Gogh affascinano Antonio Tonelli<\/em>, in &#8220;La Cronaca di Mantova&#8221;, Mantova, 10 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"124\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-106\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Paolo Bertelli<\/strong>, <em>Tonelli alla Sartori<\/em>, in &#8220;La Voce di Mantova&#8221;, Mantova, 10 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"125\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-107\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Brunetta Ferrarini<\/strong>, <em>Antonio Tonelli alla Galleria Sartori<\/em>, in &#8220;La Cittadella&#8221;, Mantova, 12 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"126\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-108\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Van Gogh rivisitato da Tonelli<\/em>, in &#8220;Gazzetta di Mantova&#8221;, Mantova, 15 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"127\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-109\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Vittorio Montanari<\/strong>, <em>Van Gogh secondo Tonelli<\/em>, in &#8220;La Voce di Mantova&#8221;, Mantova, 17 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"128\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-110\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Brunetta Ferrarini<\/strong>, <em>Le opere di Antonio Tonelli<\/em>, in &#8220;La Cittadella&#8221;, Mantova, 19 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"129\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-111\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>C.S.<\/strong>, <em>Sulle tracce di Giovanni Bellini<\/em>, in &#8220;Avvenire&#8221;, Bologna, 22 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"130\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-112\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco De Faveri<\/strong>, <strong>Gilberto Cavicchioli<\/strong>, <em>I simboli di Van Gogh<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"131\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-113\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>L&#8217;immagine in bilico<\/em>, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"132\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-114\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco De Faveri<\/strong>, <em>Avanguardia e arte religiosa<\/em>, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"133\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-115\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giuseppe Farina<\/strong>, <strong>Luigi Tallarico<\/strong>, <em>VI Biennale d&#8217;arte contemporanea<\/em>, catalogo della mostra, Monterosso Calabro, luglio-agosto.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"134\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-116\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Elena Scalvinoni<\/strong>, <em>Emozioni in arte: dal realismo al surrealismo<\/em>, catalogo della mostra, L&#8217;Esagono, Seregno, 13 ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"135\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-117\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Cultura e societ\u00e0. Miniolimpiade d&#8217;arte alla Galleria Civica<\/em>, in &#8220;Giornale di Seregno&#8221;, Seregno, 7 ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"136\" colspan=\"1\" rowspan=\"11\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-118\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2002<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"136\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-119\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso,<\/strong> <em>A tutto tondo. Una collezione per amicizia<\/em>, catalogo della mostra, Museo della Permanente, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"137\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-120\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Guido Oldani<\/strong>, <em>Se il Galata morente<\/em>, Il Calamo, Roma.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"138\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-121\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rosella Ghezzi<\/strong>, <em>Antonio Tonelli<\/em>, in &#8220;Vivimilano&#8221;, supplemento del &#8220;Corriere della Sera&#8221;, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"139\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-122\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>Una splendida realt\u00e0 di visioni pittoriche parietali<\/em>, in Casoli pinta. Museo sotto le stelle, catalogo della mostra, Ed. Carsa, Pescara.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"140\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-123\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>L&#8217;arte e l&#8217;amicizia, in Casoli pinta<\/em>. Museo sotto le stelle, catalogo della mostra, Ed. Carsa, Pescara.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"141\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-124\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Pasquale Colacitti<\/strong>, Opere di pittori e scultori contemporanei, catalogo della mostra, Galleria Civica Ezio Mariani, Seregno, febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"142\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-125\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco De Faveri<\/strong>, <em>I simboli di Van Gogh. Realismo trascendente<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"143\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-126\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco De Faveri<\/strong>, <em>La colpa dell&#8217;angelo, presentazione della mostra personale<\/em>, Galleria Ciovasso, Milano, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"144\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-127\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco Migliaccio<\/strong>, <em>Ritorno alla pittura, fra tradizione e sensibilit\u00e0 del presente: Siliberto, Tonelli, Venditti<\/em>, catalogo della mostra, Milano, giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"145\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-128\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giovanni Marra<\/strong>, <strong>Antonio Mazzi<\/strong>, <strong>Lello Gurrado<\/strong>, <em>Tremend&#8217;art<\/em>, catalogo della mostra, Edizioni New Editing, Milano settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"146\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-129\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco De Faveri<\/strong>, <em>Autoritratto d&#8217;artista<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"147\" colspan=\"1\" rowspan=\"20\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-130\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2001<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"147\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-131\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>Antonio Tonelli, <em>Caro Vincent, testo per il sito web L&#8217;orecchio di Van Gogh di Giorgio Seveso<\/em>.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"148\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-132\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Antonio Tonelli, dichiarazione poetica per il libro di Renato Valerio &#8211; A proposito di pittura<\/em>, Ed. Nicolini, Gavirate.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"149\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-133\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Massimo Geranio<\/strong>, <em>Per una carta visiva dei diritti civili<\/em>, Ed. Viennepierre, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"150\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-134\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Antonio Tonelli alla Galleria Armanti<\/em>, in &#8220;Corriere della Sera&#8221;, Milano, 3 settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"151\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-135\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rosella Ghezzi<\/strong>, Vernici, in &#8220;Vivimilano&#8221;, supplemento del &#8220;Corriere della Sera&#8221;, Milano, 31 ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"152\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-136\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>Antonio Tonelli: la riaffermazione della vera pittura attraverso riflessioni sulla condizione esistenziale dell&#8217;uomo<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"153\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-137\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <em>I simboli di Van Gogh<\/em>, presentazione della mostra personale, Galleria Armanti, Varese, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"154\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-138\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Tonelli, obiettivo Van Gogh<\/em>, in &#8220;Il Giornale di Varese&#8221;, Varese, 2 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"155\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-139\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>Galleria d&#8217;arte Armanti, in &#8220;La Prealpina&#8221;, Varese, 2 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"156\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-140\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Antonio Tonelli<\/em>, Varese, in &#8220;Corriere della Sera&#8221;, Milano, 3 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"157\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-141\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Chi va e chi viene in galleria<\/em>. Week-end da non perdere, in &#8220;La Prealpina&#8221;, Varese, 3 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"158\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-142\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>Galleria d&#8217;arte Armanti, Informazioni utili, in &#8220;La Prealpina&#8221;, Varese, 7 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"159\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-143\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>Galleria d&#8217;Arte Armanti, in &#8220;La Prealpina&#8221;, Varese, 8 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"160\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-144\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>Io Tonelli suggestionato da Van Gogh<\/em>, in &#8220;La Prealpina&#8221;, Varese, 13 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"161\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-145\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>Antonio Tonelli, <em>Arte ed esposizioni<\/em>, in &#8220;Il Giornale di Varese&#8221;, Varese, 16 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"162\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-146\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <strong>Renato Valerio<\/strong>, <em>Antonio Tonelli. I simboli di Van Gogh<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"163\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-147\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Per una carta visiva dei diritti civili<\/em>, Ed. Viennepierre, Milano, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"164\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-148\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Maria Censi<\/strong>, <strong>Curzia Ferrari<\/strong>, <strong>Barbara Passarini<\/strong>, <em>Emozioni belliniane nella pittura contemporanea<\/em>, in La Madonna del Prato, catalogo della mostra, Museo Sandro Parmeggiani, Renazzo, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"165\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-149\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Teodosio Martucci<\/strong>, <em>Immagini e luoghi. Tonelli<\/em>, in &#8220;Artecultura&#8221;, Milano, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"166\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-150\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Riproduzione dell&#8217;opera Testa fasciata<\/em>, in &#8220;Contro Corrente&#8221;, n. 24, Milano, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"167\" colspan=\"1\" rowspan=\"4\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-151\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>2000<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"167\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-152\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>25 pittori e 7 scultori a Padova da Milano<\/em>, catalogo della mostra, Centro Artistico Culturale La Galleria, Padova, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"168\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-153\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Marcello Colusso<\/strong>, <em>Oltre il corpo<\/em>, catalogo della mostra, Il Melograno d&#8217;Oro, Milano, maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"169\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-154\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Marcello Colusso<\/strong>, <em>Oltre il corpo<\/em>, in &#8220;Artecultura&#8221;, Milano, maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"170\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-155\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>L&#8217;arte sotto le dittature<\/em>, catalogo della mostra a cura di Mario De Micheli, Galleria Ciovasso, Milano, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"171\" colspan=\"1\" rowspan=\"12\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-156\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1999<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"171\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-157\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <strong>Marino Fioramonti<\/strong>, <strong>Sergio Scalpelli<\/strong>, <em>La citt\u00e0, il pensiero e l&#8217;emozione. Cinquanta artisti per Milano<\/em>, catalogo della mostra, Comune di Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"172\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-158\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>La pittura di Antonio Tonelli: una opportunit\u00e0 di ripensare il concetto di pittura-arte a fronte dei sapori e dei rumori del nichilismo<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"173\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-159\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Valerio Menoni<\/strong>, <em>Acqua, terra e tela. La vita secondo Tonelli<\/em>, in &#8220;La Prealpina&#8221;, Varese, 24 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"174\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-160\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>La pittura di Antonio Tonelli<\/em>, in &#8220;Il Giorno&#8221;, Varese, 24 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"175\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-161\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Carlo Franza<\/strong>, <strong>Adriano Corsi<\/strong>, <strong>Gabriele Grassi<\/strong>, <em>Le stagioni della luce. Ventisei artisti per Walter Lazzaro<\/em>, catalogo della mostra, Galleria Lazzaro by Corsi, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"176\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-162\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>Sulla pittura di Antonio Tonelli<\/em>, in &#8220;Contro Corrente&#8221;, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"177\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-163\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <strong>Giorgio Seveso<\/strong>, <em>presentazione della mostra personale<\/em>, Centro d&#8217;Arte Villa Gropallo, Genova Nervi, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"178\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-164\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>N.M. (Nicola Michelotti)<\/strong>, <em>Personale di Antonio Tonelli a Genova<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 24 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"179\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-165\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Michela Bompiani<\/strong>, <em>Tonelli, una pittura stratificata<\/em>, in &#8220;Il Lavoro&#8221;, Genova, 28 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"180\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-166\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>La pittura di Antonio Tonelli<\/em>, presentazione della mostra personale alla Galleria Armanti, Varese, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"181\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-167\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <em>Antonio Tonelli. Opere del periodo 1983-1999<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"182\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-168\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Maria Censi<\/strong>, <strong>Franco Fanelli<\/strong>, <strong>Alfonso Panzetta<\/strong>, <strong>Barbara Passarini<\/strong>, <em>Natura morta (con frutta). Quattro rassegne nazionali per indagare un genere artistico<\/em>, catalogo della mostra, Museo Sandro Parmeggiani, Renazzo, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"183\" colspan=\"1\" rowspan=\"9\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-169\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1998<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"183\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-170\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Carlo Franza<\/strong>, <em>Il mito mediterraneo<\/em>, catalogo della mostra, Pinacoteca Comunale d&#8217;Arte Contemporanea, Ed. Mario Congedo, Galatina.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"184\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-171\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Carlo Franza<\/strong>, <em>Vergine Madre Regina. I volti di Maria nell&#8217;universo cristiano<\/em>, catalogo della mostra, Museo Internazionale Mariano d?Arte Contemporanea, Alessano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"185\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-172\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Variante d&#8217;immagine<\/em>, presentazione della mostra di Grande, Origgi, Tonelli, Venditti alla Galleria Forme dell&#8217;Arte, Chiavari, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"186\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-173\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Un sentimento lirico della realt\u00e0<\/em>, presentazione della mostra personale, Galleria Forme dell&#8217;Arte, Chiavari, giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"187\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-174\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Un sentimento lirico della realt\u00e0<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, agosto.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"188\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-175\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Casoli pinta<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"189\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-176\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giuseppina De Maria<\/strong>, <em>Antonio Tonelli<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"190\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-177\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Silvio Zanella<\/strong>, <em>Arte sacra. Selezione di artisti delle province di Milano e Varese<\/em>, catalogo della mostra, Assessorato alle Relazioni, Busto Arsizio, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"191\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-178\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Opere su carta di Antonio Tonelli<\/em>, in &#8220;Archivio delle Arti&#8221;, Mantova, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"192\" colspan=\"1\" rowspan=\"17\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-179\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1977<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"192\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-180\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <strong>Raffaele De Grada<\/strong>, <strong>Giovanni Billari<\/strong>, <em>Linguaggi paralleli: Tonelli &#8211; Venditti<\/em>, presentazione della mostra, Galleria Ciovasso, Milano, 14 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"193\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-181\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Melisa Garzonio<\/strong>, <em>Linguaggi paralleli &#8211; Tonelli, Venditti<\/em>, Vernici, in &#8220;Vivimilano&#8221;, supplemento del &#8220;Corriere dalla Sera2, Milano, 15 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"194\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-182\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <strong>Raffaele De Grada<\/strong>, <strong>Giovanni Billari<\/strong>, <em>Linguaggi paralleli &#8211; Tonelli, Venditti, in &#8220;Archivio delle Arti&#8221;<\/em>, Mantova, febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"195\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-183\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Immagini e luoghi<\/em>, in &#8220;Artecultura&#8221;, Milano, febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"196\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-184\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Marcello Venturoli<\/strong>,<em> Caro Tonelli<\/em>, Roma.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"197\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-185\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Michelotti<\/strong>, <em>Personale di Tonelli a Milano<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 22 febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"198\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-186\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco Poma<\/strong>, <em>Otto artisti allo specchio<\/em>, catalogo della mostra, Palazzo Roncalli, Vigevano, maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"199\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-187\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco Poma<\/strong>, <em>Otto artisti allo specchio<\/em>, in &#8220;L&#8217;Informatore&#8221;, Vigevano, 15 maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"200\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-188\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Artisti alla specchio, una mostra al Roncalli<\/em>, in &#8220;La Provincia Pavese&#8221;, Vigevano, 16 maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"201\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-189\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <strong>Togo<\/strong>, <strong>Alberto Venditti<\/strong>, <strong>Franco Zazzeri<\/strong>, <em>Figurazioni<\/em>, catalogo della mostra, Museo della Permanente, Milano, giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"202\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-190\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gianni Pre<\/strong>, Milano mostre, in &#8220;Contro Corrente&#8221;, n. 9, Milano, giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"203\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-191\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Aurelio C.<\/strong>, <em>Il reale dell&#8217;estate<\/em>, catalogo della mostra, Palazzo Vattielli, Pesaro, luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"204\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-192\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>II Rassegna di pittura murale Casoli pinta<\/em>, catalogo della mostra, Associazione Culturale Castellum Vetus, Casoli di Atri, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"205\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-193\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Renato Valerio<\/strong>, <em>Un laboratorio comune all?insegna di una splendida avventura umana e artistica<\/em>, catalogo della II Rassegna di pittura murale Casoli pinta, Casoli di Atri.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"206\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-194\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Nel segno dell&#8217;amicizia<\/em>, in catalogo della II Rassegna di pittura murale Casoli pinta, Casoli di Atri.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"207\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-195\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>Antonio Tonelli, <em>Dichiarazione poetica per la pittura murale &#8220;L&#8217;albero della libert\u00e0&#8221;<\/em> a Casoli di Atri, in catalogo della II Rassegna di pittura murale Casoli pinta, Casoli di Atri.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"208\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-196\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Le mostre d&#8217;arte<\/em>, in &#8220;Il Resto del Carlino&#8221;, Bologna, 6 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"209\" colspan=\"1\" rowspan=\"9\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-197\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\"><p style=\"text-align: center;\"><strong>1996<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"209\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-198\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Aurelio C.<\/strong>, <em>Per Antonio<\/em>, Colbordolo (Pesaro-Urbino).<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"210\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-199\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Aurelio C.<\/strong>, <strong>Cristina Catani<\/strong>, <em>presentazione della mostra personale<\/em>, Galleria della Rocca a Tentennano, Castiglione d?Orcia.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"211\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-200\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <em>I nostri giorni difficili<\/em>, presentazione della mostra personale, Galleria Ciovasso, Milano, gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"212\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-201\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Teo Martucci<\/strong>,<em> La bottega del ritratto<\/em>, in &#8220;Artecultura&#8221;, Milano, gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"213\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-202\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giuseppe Possa<\/strong>, <em>Antonio Tonelli: una pittura come sostanza di vita<\/em>, in &#8220;Contro Corrente&#8221;, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"214\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-203\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Da. P.<\/strong>, <em>Arte figurativa in Rocca<\/em>. Apre il simbolista Tonelli, in &#8220;La Nazione&#8221;, Castiglione d&#8217;Orcia, 20 luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"215\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-204\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Michelotti<\/strong>, <em>Pittori milanesi a Pontremoli<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 31 agosto.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"216\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-205\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Campus. Il segno della cultura<\/em>, catalogo della mostra, Finarte, Milano, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"217\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-206\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Dimitri Plescan<\/strong>, <em>Conferenza sull&#8217;opera di Antonio Tonelli<\/em>, Famiglia Artistica Milanese, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"218\" colspan=\"1\" rowspan=\"6\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-207\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1995<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"218\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-208\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Uomo e natura<\/em>, catalogo della mostra, Palazzo Geremia, Trento.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"219\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-209\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <em>Milano. Cento artisti per la citt\u00e0<\/em>, catalogo della mostra, Museo della Permanente, Milano, Edizioni Mazzotta, Milano, gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"220\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-210\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>L&#8217;antagonismo dell&#8217;immaginario<\/em>, catalogo della mostra, Orizzonti d&#8217;Europa &#8211; ARCI del Trentino, luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"221\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-211\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Quadro L&#8217;albero della libert\u00e0<\/em>, ripr. in &#8220;Contro Corrente&#8221;, Milano, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"222\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-212\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Le ragioni di una mostra antagonista<\/em>, in &#8220;Artecultura&#8221;, Milano, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"223\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-213\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Antonio Tonelli e il sentimento della realt\u00e0<\/em>, in &#8220;Leadership Medica&#8221;, n. 9, Milano, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"224\" colspan=\"1\" rowspan=\"6\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-214\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1994<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"224\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-215\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Mostra nazionale di pittura contemporanea<\/em>, catalogo della mostra, Santhi\u00e0.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"225\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-216\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Teo Martucci<\/strong>, <em>La realt\u00e0 di un profondo pensiero visivo<\/em>, in &#8220;Artecultura&#8221;, gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"226\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-217\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Appuntamenti<\/em>, in &#8220;Corriere della Sera&#8221;, Milano, 19 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"227\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-218\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Micieli<\/strong>, <em>Miscellanea<\/em>, catalogo della mostra, Centro Culturale L&#8217;Approdo, Avellino, giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"228\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-219\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Arte dimensione Europa<\/em>, catalogo della mostra, Castello di Stenico, Stenico, agosto.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"229\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-220\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Liricit\u00e0 e immagine<\/em>, catalogo della mostra, Galleria Ciovasso, Milano, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"230\" colspan=\"1\" rowspan=\"6\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-221\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1993<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"230\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-222\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Mostra nazionale di pittura contemporanea<\/em>, catalogo della mostra, Santhi\u00e0.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"231\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-223\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco Migliaccio<\/strong>, <em>L&#8217;eloquenza espressiva del silenzio<\/em>, presentazione della mostra personale, Circolo Culturale Il Laghetto, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"232\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-224\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Myriam Polacco<\/strong>, <em>L&#8217;uomo, le stagioni, il lavoro nella quotidianit\u00e0<\/em>, catalogo della mostra, Galleria Civica Ezio Mariani, Seregno, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"233\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-225\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gianni Pre<\/strong>, <em>Visto a Milano<\/em>, in &#8220;Alla Bottega&#8221;, Milano, maggio-giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"234\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-226\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gianni Pre<\/strong>, <em>Il lessico familiare di Antonio Tonelli<\/em>, presentazione della mostra personale, Galleria La Fenice, Sassari, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"235\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-227\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Teodosio Martucci<\/strong>, <em>Immagini e luoghi<\/em>, in &#8220;Artecultura&#8221;, n. 9, Milano, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"236\" colspan=\"1\" rowspan=\"15\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-228\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1992<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"236\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-229\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <strong>Mario De Micheli<\/strong>, <strong>Giorgio Seveso<\/strong>, <em>presentazione della mostra personale<\/em>, Azienda di Promozione Turistica, Massa Carrara.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"237\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-230\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Mostra nazionale di pittura contemporanea<\/em>, catalogo della mostra, Santhi\u00e0, aprile-maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"238\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-231\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>presentazione della mostra personale<\/em>, Galleria La Fenice, Sassari.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"239\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-232\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Michelotti<\/strong>, <em>Pittori al lavoro<\/em>, in &#8220;Il Corriere Apuano&#8221;, 18 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"240\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-233\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <em>Nature morte nella metropoli<\/em>, Padovano Edizioni d?Arte, Carona, gennaio-febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"241\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-234\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Ni.Ma. (Nicoletta Magnoni)<\/strong>, <em>Quotidiano personale<\/em>, in &#8220;Il Resto del Carlino2, Bologna, 18 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"242\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-235\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Vitalit\u00e0 e poesia di una pittura del reale<\/em>, presentazione della mostra personale, Galleria San Paolo, Bologna, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"243\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-236\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Michelotti<\/strong>, <em>Attivit\u00e0 pittorica di A. Tonelli<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 4 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"244\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-237\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Teo Martucci<\/strong>, <em>Immagini e luoghi<\/em>, in &#8220;Artecultura&#8221;, Milano, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"245\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-238\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <strong>Franco Migliaccio<\/strong>, <strong>Enzo Santarelli<\/strong>, <strong>Mario Spinella<\/strong>, <em>1492-1992. Il grande evento, Rassegna d&#8217;arte contemporanea per il quinto centenario dalla scoperta dell&#8217;America<\/em>, catalogo della mostra, Ed. Michele Di Fiore, Milano, luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"246\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-239\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Michelotti<\/strong>, <em>La personale di Antonio Tonelli a Coloretta di Zeri<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 25 luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"247\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-240\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Marpanoza<\/strong>, <em>Postacatalago<\/em>, in &#8220;Artecultura&#8221;, n. 7, Milano, luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"248\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-241\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <strong>Mario De Micheli<\/strong>, <strong>Giorgio Seveso<\/strong>, <strong>Nicola Michelotti<\/strong>, <strong>Pierluigi Ferrari,<\/strong> <em>presentazione della mostra personale<\/em>, Comune di Zeri, Zeri, agosto.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"249\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-242\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Riccardo Barletta<\/strong>, <em>L&#8217;America scoperta nell&#8217;arte<\/em>, in &#8220;Corriere della Sera&#8221;, Milano, 3 settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"250\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-243\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Riccardo Barletta<\/strong>, <em>America bella scoperta<\/em>, in &#8220;Corriere della Sera&#8221;, Milano, 9 ottobre, riproduzione del quadro L?alabarda sacrilega.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"251\" colspan=\"1\" rowspan=\"5\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-244\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1991<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"251\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-245\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <strong>Jolanda Pietrobelli<\/strong>, <em>Itinerari pisani 6<\/em>, catalogo della mostra, Ed. Il Prato dei Miracoli, Pisa.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"252\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-246\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <strong>Mario De Micheli<\/strong>, <strong>Giorgio Seveso<\/strong>, <em>Autoritratto d&#8217;artista<\/em>, catalogo della mostra, Vangelista, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"253\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-247\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco Migliaccio<\/strong>, <em>Paesaggi metropolitani<\/em>, presentazione della mostra personale, Galleria delle Idee, Corsico.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"254\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-248\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>presentazione della mostra personale<\/em>, Galleria La Fenice, Sassari.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"255\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-249\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Da Picasso a Mir\u00f2<\/em>, in &#8220;Vivimilano&#8221;, supplemento del &#8220;Corriere della Sera&#8221;, Milano, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"256\" colspan=\"1\" rowspan=\"2\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-250\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1990<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"256\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-251\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <strong>Jolanda Pietrobelli<\/strong>, <em>Itinerari pisani 5<\/em>, catalogo della mostra, Ed. Il Prato dei Miracoli, Pisa.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"257\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-252\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>II Premio biennale d&#8217;arte contemporanea<\/em>, catalogo della mostra, Sant&#8217;Agata di Militello.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"258\" colspan=\"1\" rowspan=\"11\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-253\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1989<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"258\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-254\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <strong>Fulvio Papi<\/strong>, <strong>Giorgio Seveso<\/strong>, <em>\u00c7a ira. Pittura contemporanea per il bicentenario dalla Rivoluzione francese<\/em>, catalogo della mostra, Ed. Michele Di Fiore, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"259\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-255\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>presentazione della mostra personale<\/em>, Galleria Delfino, Rovereto, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"260\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-256\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Antonio Tonelli alla Delfino<\/em>, in &#8220;L&#8217;Adige&#8221;, Trento, 18 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"261\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-257\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>E.M.<\/strong>, <em>Una pittura che narra storie di verit\u00e0 e di vita<\/em>, in &#8220;L&#8217;Adige&#8221;, Trento, 4 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"262\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-258\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Pittori d&#8217;immagine in Lombardia<\/em>, catalogo della mostra, Villa del Castello Visconteo, Trezzo sull?Adda, settembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"263\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-259\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <em>presentazione della mostra personale<\/em>, Galleria Arteuropa, Bergamo, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"264\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-260\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Note d&#8217;arte<\/em>, in &#8220;L&#8217;Eco di Bergamo&#8221;, Bergamo, 10 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"265\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-261\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Antonia Abbattista Finocchiaro<\/strong>, <em>Appuntamento in galleria<\/em>, in &#8220;Il Giornale di Bergamo&#8221;, Bergamo, 11 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"266\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-262\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Luciana Polliotti<\/strong>, <em>Taccuino d&#8217;appuntamenti<\/em>, in &#8220;Il Giornale di Bergamo&#8221;, Bergamo, 21 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"267\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-263\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Lino Lazzari<\/strong>, <em>Antonio Tonelli all&#8217;Arteuropa<\/em>, in &#8220;L&#8217;Eco di Bergamo&#8221;, Bergamo, 21 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"268\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-264\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>a.a.f.<\/strong>, <em>Tonelli in mostra all&#8217;Arteuropa<\/em>, in &#8220;Il Giornale di Bergamo&#8221;, Bergamo, 21 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"269\" colspan=\"1\" rowspan=\"11\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-265\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1988<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"269\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-266\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Anna Baldi<\/strong>, in &#8220;Artecultura&#8221;, Milano, febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"270\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-267\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Sentieri della pace<\/em>, catalogo della mostra, Assessorato alla Cultura, Rozzano, aprile-maggio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"271\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-268\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Michelotti<\/strong>, <em>Ritorno in Lunigiana<\/em>, presentazione della mostra personale, Centro Studi Giuridici, Pontremoli, giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"272\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-269\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Michelotti<\/strong>, <em>La personale di Antonio Tonelli a Milano<\/em>. Nature morte nella metropoli, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 9 luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"273\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-270\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Marina Mojana<\/strong>, <em>Calendart<\/em>, in &#8220;Il Sole 24 Ore&#8221;, Milano, 10 luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"274\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-271\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Nicola Michelotti<\/strong>,<em> Ritorno in Lunigiana<\/em>, in &#8220;Artecultura2, Milano, luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"275\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-272\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giuseppe Martucci<\/strong>, <em>Dentro ed oltre il ritual<\/em>e, in &#8220;Artecultura&#8221;, Milano, luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"276\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-273\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Isa Trivelloni<\/strong>, <em>Mostra di Antonio Tonelli<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 6 agosto.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"277\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-274\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>L&#8217;evidenza del reale<\/em>, <em>presentazione della mostra personale<\/em>, Biblioteca Pubblica di Niguarda, Milano, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"278\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-275\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>F<strong>ranco Migliaccio<\/strong>, <em>Reperti urbani di Antonio Tonelli<\/em>, presentazione della mostra personale, Centro Socio-culturale &#8220;Carlo Alberto Dalla Chiesa&#8221;, Trezzano sul Naviglio, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"279\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-276\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Franco Migliaccio<\/strong>, <em>Sala Mostre<\/em>, in &#8220;Gli Appuntamenti&#8221;, n. 5, Trezzano sul Naviglio, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"280\" colspan=\"1\" rowspan=\"16\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-277\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1987<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"280\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-278\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <em>Arte sul Tavo<\/em>. Pittura ed ecologia, catalogo della mostra, Ed. Eugenio Riccitelli, Pescara.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"281\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-279\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Arte e radici contadine<\/em>, catalogo della mostra, Ed. Wendy e Melano, Coira-Basilea.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"282\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-280\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Arte moderna italiana, n. 23<\/em>, Giorgio Mondadori e Associati, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"283\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-281\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>F<strong>lora Marotta<\/strong>, <em>L&#8217;informazione<\/em>, in &#8220;Allianz Pace&#8221;, n. 43, Milano, gennaio-marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"284\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-282\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Antonio Tonelli alla Ciovasso di Milano<\/em>, in &#8220;Lombardia Notte&#8221;, Milano, gennaio-febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"285\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-283\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giampiero Manfredini<\/strong>, <em>Nature morte<\/em>, Arte in mostra, in &#8220;L&#8217;Unit\u00e0&#8221;, Milano, 25 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"286\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-284\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Un dipinto di Antonio Tonelli<\/em>, in &#8220;Corriere della Sera&#8221;, Milano, 30 gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"287\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-285\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Rossana Bossaglia<\/strong>, <em>Nature morte nella metropoli<\/em>, <em>presentazione della mostra personale<\/em>, Galleria Ciovasso, Milano, gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"288\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-286\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Tonelli e la sua melanconica Milano fatta soltanto di cose<\/em>, in &#8220;L?Unit\u00e0&#8221;, Milano, 13 febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"289\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-287\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>N.M. (Nicola Michelotti)<\/strong>, <em>La personale di Antonio Tonelli<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 14 febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"290\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-288\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Cronaca pontremolese. Pittura<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 7 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"291\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-289\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Albano Rossi<\/strong>, <em>Premio nazionale d&#8217;arte contemporanea Citt\u00e0 di Campobello di Mazara<\/em>, catalogo della mostra, Mazara del Vallo, 14 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"292\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-290\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Pedro Fiori<\/strong>, <em>Antonio Tonelli alla Ciovasso<\/em>, in &#8220;Artecultura&#8221;, n. 3, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"293\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-291\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Marpanoza<\/strong>, <em>Testimonianze d&#8217;immagini<\/em>, in &#8220;Artecultura&#8221;, n. 3, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"294\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-292\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Lino Cavallari<\/strong>, <em>In galleria<\/em>, in &#8220;Il Resto del Carlino&#8221;, Bologna, 23 ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"295\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-293\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>XIV Premio Sulmona<\/em>, catalogo della mostra, Sulmona, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"296\" colspan=\"1\" rowspan=\"3\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-294\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1986<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"296\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-295\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>La pittura del reale<\/em>, catalogo della mostra, Pro Loco e Assessorato alla Cultura, Gorgonzola.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"297\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-296\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Arte moderna italiana, n. 22<\/em>, Giorgio Mondadori e Associati, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"298\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-297\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gianni Pre<\/strong>, <em>L&#8217;epica del quotidiano<\/em>, in &#8220;Alla Bottega&#8221;,&nbsp; Milano, marzo-aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"299\" colspan=\"1\" rowspan=\"5\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-298\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1985<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"299\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-299\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Arte moderna italiana, n. 21<\/em>, Giorgio Mondadori e Associati, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"300\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-300\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <strong>Giorgio Seveso<\/strong>, <em>presentazione della mostra personale<\/em>, Galleria La Firma, Riva del Garda.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"301\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-301\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Romano A. Fiocchi<\/strong>, <em>L&#8217;avanguardia torna alla carica<\/em>, in &#8220;Il Ticino&#8221;, Pavia, 9 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"302\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-302\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Susanna Zatti<\/strong>, <em>presentazione della mostra personale<\/em>, Collegio Cairoli, Universit\u00e0 degli Studi, Pavia, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"303\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-303\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <em>Invito al disegno satirico e politico<\/em>, catalogo della mostra, Festival dell\u00ecUnit\u00e0, Milano, agosto.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"304\" colspan=\"1\" rowspan=\"4\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-304\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\"><p style=\"text-align: center;\"><strong>1984<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"304\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-305\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Arte moderna italiana, n. 20<\/em>, Giorgio Mondadori e Associati, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"305\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-306\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gianni Pre<\/strong>, <em>L&#8217;angolo in fondo all&#8217;orto<\/em>, in &#8220;Alla Bottega&#8221;, Milano, gennaio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"306\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-307\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Van But (Vanna Butti)<\/strong>, <em>Antonio Tonelli espone alla Galleria del Premio<\/em>, in &#8220;Gazzetta di Mantova&#8221;, Suzzara, 4 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"307\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-308\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>L&#8217;armadietto verde<\/em>, in &#8220;Alla Bottega2, n. 6, Milano, novembre-dicembre, ripr. in copertina.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"308\" colspan=\"1\" rowspan=\"6\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-309\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1983<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"308\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-310\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>C. Occhipinti<\/strong>, <em>III Biennale d&#8217;arte Citt\u00e0 della Spezia<\/em>, catalogo della mostra, La Spezia.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"309\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-311\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Arte moderna italiana, n. 19<\/em>, Giorgio Mondadori e Associati, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"310\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-312\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Una limpida narrazione per immagini<\/em>, in &#8220;L&#8217;Unit\u00e0&#8221;, Milano, 24 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"311\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-313\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Orti di periferia<\/em>, presentazione della mostra personale, Galleria Ciovasso, Milano, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"312\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-314\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>Ni<strong>cola Michelotti<\/strong>, <em>Alla Galleria d&#8217;Arte Ciovasso di Milano la personale di A. Tonelli<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 10 dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"313\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-315\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>D<strong>omenico Cara<\/strong>, <em>Descrizione (e fisica) di un&#8217;angolazione quotidiana<\/em>, in &#8220;Artecultura&#8221;, Milano, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"314\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-316\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1982<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"314\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-317\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>La cooperazione e la societ\u00e0 in crisi<\/em>, catalogo della mostra itinerante di pittura e bianco e nero, Lega Associazione Nazionale Cooperative Consumatori, Perugia.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"315\" colspan=\"1\" rowspan=\"8\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-318\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1981<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"315\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-319\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <em>Racconto urbano<\/em>, presentazione della mostra personale, Galleria Ciovasso, Milano, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"316\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-320\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>II Premio internazionale di pittura e grafica Ibla Mediterraneo<\/em>, catalogo della mostra, Modica, aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"317\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-321\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Alla Galleria San Rocco personale di Antonio Tonelli<\/em>, in &#8220;Il Cittadino della Domenica&#8221;, Seregno, 31 ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"318\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-322\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Pittura<\/em>, in &#8220;L\u00ec&#8217;Ordine&#8221;, Seregno, 6 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"319\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-323\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>Danilo Pinotti, <em>Un pittore pontremolese sconosciuto alla sua gente<\/em>, in &#8220;Il Corriere Apuano&#8221;, Pontremoli, 7 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"320\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-324\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Dino Villani<\/strong>, <em>Nelle gallerie milanesi<\/em>, in &#8220;La Libert\u00e0&#8221;, Piacenza, 12 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"321\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-325\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giuseppe Martucci<\/strong>, <em>Antonio Tonelli, i simboli di una civilt\u00e0<\/em>, in &#8220;Artecultura&#8221;, Milano, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"322\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-326\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Pasquale Colacitti<\/strong>, <em>La realt\u00e0 esistenziale del pittore Antonio Tonelli<\/em>, in &#8220;La Brianza&#8221;, Seregno, 11 dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"323\" colspan=\"1\" rowspan=\"2\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-327\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1980<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"323\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-328\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Catalogo internazionale d&#8217;arte<\/em>, Ed. Rimeco, Melano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"324\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-329\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Seveso<\/strong>, <em>Da Corrente a oggi<\/em>, catalogo della mostra con testo critico di Mario De Micheli, Vangelista, Milano.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"325\" colspan=\"1\" rowspan=\"7\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-330\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1977<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"325\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-331\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <em>I personaggi elementari di Antonio Tonelli<\/em>, presentazione della mostra personale, Galleria Ciovasso, Milano, febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"326\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-332\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Maria Bergonzoni<\/strong>, <em>Breramese: echi di un quartiere<\/em>, in &#8220;Artecultura&#8221;, Milano, marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"327\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-333\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>La mostra di Tonelli<\/em>, in &#8220;Messaggero Veneto&#8221;, Verona, 30 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"328\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-334\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Antonio Tonelli alla Rubens<\/em>, in &#8220;Il Piccolo&#8221;, Trieste, 30 marzo.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"329\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-335\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>G.A. (Gianni Anglisani)<\/strong>, <em>Il mondo dei poveri<\/em>, in &#8220;Messaggero Veneto&#8221;, Verona, 6 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"330\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-336\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gianni Anglisani<\/strong>, <em>II mondo del lavoro<\/em>, in &#8220;Il Piccolo&#8221;, Trieste, 6 aprile.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"331\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-337\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Mostre e segnalazioni<\/em>, in &#8220;Artecontro&#8221;, Milano, n. 7.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"332\" colspan=\"1\" rowspan=\"2\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-338\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1974<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"332\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-339\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario De Micheli<\/strong>, <em>presentazione della mostra personale<\/em>, Biblioteca Civica, Saronno, giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"333\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-340\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Personale di Antonio Tonelli<\/em>, in &#8220;Il Giornale di Saronno&#8221;, Saronno, 4 giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"334\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-341\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1973<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"334\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-342\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"mce-edit-focus\" style=\"position: relative;\"><p><strong>Cesare Pillon<\/strong>, <em>I comunisti nella storia d&#8217;ltalia<\/em>, 2 volumi, Teti Editore, Milano, illustrazioni in copertina.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"335\" colspan=\"1\" rowspan=\"4\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-343\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1972<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"335\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-344\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Lettere da Milano<\/em>, in &#8220;D&#8217;Ars Agency&#8221;, Milano, n. 58-59.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"336\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-345\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Notizie delle arti<\/em>, in &#8220;Le Arti&#8221;, gennaio-febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"337\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-346\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>Flash<\/em>, in &#8220;Alla Bottega&#8221;, Milano, gennaio-febbraio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"338\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-347\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Montoya<\/strong>, <em>Xe Exposition nationale de peinture Citt\u00e0 d&#8217;Imperia<\/em>, in &#8220;La Revue Moderne&#8221;, Parigi, giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"339\" colspan=\"1\" rowspan=\"7\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-348\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1971<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"339\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-349\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p>Catalogo <em>10&nbsp; Premio nazionale di pittura Citt\u00e0 d&#8217;lmperia<\/em>, Pinacoteca Civica, Imperia.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"340\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-350\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gino Traversi<\/strong>, <em>Antonio Tonelli<\/em>, in &#8220;MG &#8211; Mostre e Gallerie&#8221;, Milano, ottobre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"341\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-351\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Mario Portalupi<\/strong>, <em>Alla Galleria Pater Antonio Tonelli &#8211; Pittore &#8220;pessimista&#8221;<\/em>, in &#8220;La Notte&#8221;, Milano, 11 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"342\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-352\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Gino Traversi<\/strong>, presentazione della mostra personale, Galleria Pater, Milano, novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"343\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-353\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Giorgio Mascherpa<\/strong>, <em>Cronaca giovani<\/em>, in &#8220;Avvenire&#8221;, Milano, 11 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"344\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-354\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>M.L. (Mario Lepore)<\/strong>, <em>Arte informazione<\/em>, in &#8220;Corriere d&#8217;Informazione&#8221;, Milano, 12 novembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"345\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-355\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Pino Zanchi<\/strong>, <em>Antonio Tonelli alla Pater<\/em>, in &#8220;L&#8217;Ottagono?&#8221; Milano, dicembre.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"346\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-356\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p style=\"text-align: center;\"><strong>1970<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"346\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-357\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Dino Campini<\/strong>, <em>Arte italiana per il mondo<\/em>, vol. I, Ed. SEN, Torino.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"347\" colspan=\"1\" rowspan=\"2\" data-wptb-cell-vertical-alignment=\"center\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-358\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\"><p style=\"text-align: center;\"><strong>1966<\/strong><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"347\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-359\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><strong>Marida Bussi<\/strong>, <strong>Marco d&#8217;Oggiono<\/strong>, in &#8220;Giornale di Lecco&#8221;, Lecco, 20 giugno.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" data-wptb-css-td-auto-width=\"true\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"348\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-360\" style=\"color: rgb(74, 85, 104); font-size: 14px;\"><div class=\"\" style=\"position: relative;\"><p><em>A Oggiono pittura estemporanea<\/em>, in &#8220;Corriere della Provincia&#8221;, Como, luglio.<\/p><\/div><\/div><\/td><\/tr><tr class=\"wptb-row\" style=\"background-color: rgb(239, 225, 206); --hover-bg-color: undefined;\"><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; width: 50px; border-color: rgb(218, 185, 139);\" data-x-index=\"0\" data-y-index=\"349\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-694\"><div><p><\/p><\/div><\/div><\/td><td class=\"wptb-cell\" style=\"padding: 2px; border-style: solid; border-width: 1px; border-color: rgb(218, 185, 139);\" data-x-index=\"1\" data-y-index=\"349\" data-wptb-css-td-auto-width=\"true\"><div class=\"wptb-text-container wptb-ph-element wptb-element-text-695\"><div><p><\/p><\/div><\/div><\/td><\/tr><\/tbody><\/table>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_lmt_disableupdate":"","_lmt_disable":"","ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","footnotes":""},"class_list":["post-377","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/antoniotonelli.info\/index.php\/wp-json\/wp\/v2\/pages\/377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antoniotonelli.info\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/antoniotonelli.info\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/antoniotonelli.info\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antoniotonelli.info\/index.php\/wp-json\/wp\/v2\/comments?post=377"}],"version-history":[{"count":2,"href":"https:\/\/antoniotonelli.info\/index.php\/wp-json\/wp\/v2\/pages\/377\/revisions"}],"predecessor-version":[{"id":379,"href":"https:\/\/antoniotonelli.info\/index.php\/wp-json\/wp\/v2\/pages\/377\/revisions\/379"}],"wp:attachment":[{"href":"https:\/\/antoniotonelli.info\/index.php\/wp-json\/wp\/v2\/media?parent=377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}